200 Word Movie Review: The Secret in Their Eyes

El-secreto
 
 

The good: Great acting, and by people who are not alienating in their attractiveness. One of the best things about foreign movies is that so often the people on screen are not OHMYGOD THESE WHITE TEETH. They’re just people. The story is super-twisty, but in a way that is easy to follow. Also, it incorporates Argentine history with a really light touch. The more you know, I suspect, about what happened during the Peron years, the richer the movie becomes, but it’s hardly a prerequisite. The movie is funny. Especially if you speak Spanish.

The bad: The subtitles are…inadequate. The ending is operatic where the rest of the movie is sort of subtle, so there’s a shift in tone that’s a little jarring. But, it’s a well-earned ending. Even my boyfriend liked it, though I think he would want me to mention that going to the movies is a completely pointless and expensive experience generally. I do not share this opinion, but I respect it in the sense that I am constantly working against it. If his disdain were a river, I would be paddling upstream towards some village called “Let’s Put Beer in the Side-Pocket of My Purse*”.

*We should do this next time.

My MFA reading list for May Residency 2010

Longer Works:

The Blue Flower (Penelope Fitzgerald)

From Where We Dream (Robert Olen Butler)

Loss of Face (Charles Baxter)

Mao II (Don DeLillo)

Toni Morrison’s Nobel Lecture in Literature, 1993

The Great Gatsby (F. Scott Fitzgerald)

Stop-Time (Frank Conroy)

I Could Tell You Stories (Patricia Hampl)

Sound and Sense (Perrine)

Spreading the Word: Editors on Poetry (Corey and Slesinger)

The Sweet Hereafter (screenplay) (Atom Egoyan)

Doubt (screenplay) (John Patrick Stanley)

Short Stories:

Where Are You Going, Where Have You Been? (Joyce Carol Oates)

A Good Man is Hard to Find (Flannery O’Connor)

Sonny’s Blues (James Baldwin)

The Magic Barrel (Bernard Malemud)

From “Sudden Fiction”:

Five Ives (Roy Blount Jr.)

The Moving (James Still)

Yours (Mary Robinson)

Popular Mechanics (Raymond Carver)

Say Yes (Tobias Wolff)

The Hit Man (TC Boyle)

I See You Never (Ray Bradbury)

Dinner Time (Russell Edson)

The Anatomy of Desire (John L’Heureux)

Class Notes (Lucas Cooper)

Tickits (Paul Milenski)

The Sock (Lydia Davis)

Any Minute… (David Ordan)

Blind Girls (Jayne Anne Phillips)

I feel sometimes like my lack of love for/ memory of The Great Gatsby is some sort of moral failure. I feel guilty just thinking about it. Obviously I am extremely excited about re-purchasing and re-reading it. Obviously.

My MFA reading list for Winter Residency 2010

Longer Works:

The Rings of Saturn(WG Sebald)

Coming Through Slaughter (Michael Ondaatje)

The Catcher in the Rye (JD Salinger)

Anna Karenina (Leo Tolstoy)

Revolutionary Road (Richard Yates)

The Collected Stories of Robert Walser

The Crying Game (script; Neil Jordan)

Play (script; Samuel Beckett)

Jelly Roll (Kevin Young)

Gulf Music (Robert Pinsky)

Assorted Poems of Susan Wheeler

Short Stories:

The Love of a Good Woman (Alice Munro)

The Only Traffic Signal on the Reservation Doesn’t Flash Red Anymore (Sherman Alexie)

In the Cemetery Where Al Jolson is Buried (Amy Hempel)

Big Bertha Stories (Bobbie Ann Mason)

Three Calling Birds, Three French Hens (Lorrie Moore)

Everything That Rises Must Converge (Flannery O’Connor)

Your Were Perfectly Fine (Dorothy Parker)

The Catbird Seat (James Thurber)

The Enormous Radio (John Cheever)

The Celebrated Jumping Frog of Calaveras County (Mark Twain)

Zoellner’s Definition (Murray Bail)

Where I’m Calling From (Raymond Carver)

Pet Milk (Stuart Dybek)

A Family Supper (Kazuo Ishiguro)

Tergvinder’s Stone (WS Merwin)

Lust (Susan Minot)

Dr. Henry Selwyn (WG Sebald)